I’m honestly surprised that this must listen version is not in the jam charts: the jam kicks off super chill and patient, like cool fresh water in a pot before turning on the stove. It gets hotter and hotter, until it eventually comes to a passionate boil to the point of over flow. During the hottest moments the band is very dialed and the guitar playing is some of the most emotive you can hear from Trey. A very moving version.

In my opinion Trey deliberately left out the whistle ending. A whistle ending here would have undermined this jam. No whistle ending setup the moonage daydream that follows perfectly, leaving the heat high, and the pressure just right to make the diamond the moonage daydream is to follow.

Composed sections were not perfect, but what follows is awesome.

I wonder what others looks for in a Reba that some are left unsatisfied from the version.

I think this is the first inkling we got of how immense the Baker's Dozen would really be, musically. In my review of this show I said this Reba wasn't "legendary," but it boasts some of the most lyrical lead guitar from Trey we've heard in this song for some time, and has a nice moment of serendipity when--presumably--the lighting rig tilts, leading the crowd to explode in awe. I haven't been back to relisten to every Reba from 3.0 yet, but I feel comfortable proclaiming this version one of the very best of this era.