I rate this show more highly than many others might, primarily because I love the potentially neverending groove of the Do You Feel Like We 2001 (my pet nickname for the "Also Sprach Zarathustra" with Peter Frampton teases.) That jam is a testament to how the cowfunk of 1997 was permuted by this time in Phishtory to a comparable yet disparate version on Phish's sound that was highly rewarding, caveats involving the lot scene aside. Harry Hood opens the show with a long jam. The banter surrounding Dog Log is phun. The Tube and You Enjoy Myself are both worth hearing, even if you tend to avoid sets with lots of TAB tunes in them, especially in rapid succession (Heavy Things, Back on the Train, First Tube.) The Do You Feel Like We 2001 seems like they could've just jammed that out for a whole set, but eventually it > Sand. I also really enjoy this Sand, which kicks into a higher, peakier gear than Sand usually tended to in Fall '99. Possum is also kind of "shreddy," but the remaining big aspect of this show, for me, is the segue (->) from Weekapaug Groove -> Buffalo Bill > Weekapaug Groove. One can hear Fishman cottoning on to the transition and shifting his drumming pattern accordingly. I might've been a little disappointed with the encore in person if I'd been at this show--as I'm not much of a fan of either Ya Mar or Sleeping Monkey--but as I believe @Icculus said in reviewing some other show years ago, "at this point, it just didn't matter."