when people talk about missing old school, throwback hoods, they're talking about ones like 11/22/97, which, besides 5/27/94, happens to be my favorite ever. They really take their time entering the jam, so patient and delicate. trey enters into these melodic runs that sound like someone juggling, the way he will pin a note and keep coming back to it repeatedly while playing another melody underneath. finally he hits a four note repeating sequence that signals total blast-off. a real masterpiece.