SET 1: Fluffhead > Ocelot, Nellie Kane > The Dogs > Reba, Halfway to the Moon > Train Song > Guyute, Strange Design, Moonage Daydream
SET 2: The Connection, Mr. Completely > Crosseyed and Painless > Dirt, Cool Amber and Mercury > Split Open and Melt -> Crosseyed and Painless -> Split Open and Melt, A Life Beyond The Dream > Wilson > The Squirming Coil
ENCORE: Grind, Frankenstein[1]
Page teased Linus and Lucy in Nellie Kane. The Connection was last played on July 29, 2015 (171 shows). Trey teased No Men In No Man's Land In Mr. Completely. The Little Drummer Boy was jammed in Crosseyed and Painless, whistled and teased in Dirt, and teased in the first Split Open and Melt. Frankenstein featured Page on keytar.
Jam Chart Versions
Teases
The Little Drummer Boy tease in Split Open and Melt, No Men In No Man's Land tease in Mr. Completely, The Little Drummer Boy jam in Crosseyed and Painless, The Little Drummer Boy whistling in Dirt, Linus and Lucy tease in Nellie Kane
Debut Years (Average: 1999)
Song Distribution
Lawn Boy
3
Undermind
2
Sigma Oasis
1
Fuego
1
Joy
1
Farmhouse
1
The Story of the Ghost
1
Billy Breathes
1
Stash
1
Junta
1
The Man Who Stepped into Yesterday
1
Lawn Boy
3
Undermind
2
Sigma Oasis
1
Fuego
1
Joy
1
Farmhouse
1
The Story of the Ghost
1
Billy Breathes
1
Stash
1
Junta
1
The Man Who Stepped into Yesterday
1
On This Date
- Dec 7, 2018: Trey Anastasio - Los Angeles, CA
- Dec 7, 2018: Mike Gordon - Asheville, NC
- Dec 7, 2014: Trey Anastasio Band - Portland, ME
- Dec 7, 2006: Trey Anastasio Band - San Francisco, CA
- Dec 7, 2005: Trey Anastasio Band - Los Angeles, CA
- Dec 7, 2002: Mike Gordon and Leo Kottke - New York, NY
- Dec 7, 1999: Phish - Portland, ME
- Dec 7, 1998: Strangefolk - Burlington, VT
- Dec 7, 1997: Phish - Dayton, OH
- Dec 7, 1995: Phish - Niagara Falls, NY
- Dec 7, 1994: Phish - San Diego, CA
- Dec 7, 1992: Phish - Minneapolis, MN
- Dec 7, 1991: Phish - Portsmouth, NH
- Dec 7, 1990: Phish - Amherst, MA
- Dec 7, 1989: Phish - Baltimore, MD
- Dec 7, 1982: Space Antelope - Watertown, CT
Performers
This show was part of the "2019 Fall Tour"
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Show Reviews
, attached to 2019-12-07
***Make Phish Evil Again***
Fun show! The jamming wasn't totally cohesive, but the band was in great spirits and the heavy helping of composition pieces were lovely. The EVIL sections in Guyute were RIPPING, and Fluffhead and Reba were both rock solid by 3.0 standards, to my ears.
Honestly, I'm in awe that they can remember the words to 200+ songs, and frankly. STUNNED that they can execute these demanding passages that 98% of musicians in the world wouldn't even attempt in front of club-sized audiences, much less arenas.
Kuroda's work during Mr Completely was AMAZING, as well. Borderline TOO good, as it was actually distracting me from the music at times. Such a treat.
Lastly, I'm really thankful that they are enjoying and putting in time rehearsing the barbershop vocal pieces for this tour. Sure, we're here for the musicianship, but I always felt like what set '94-96 apart from other eras was how great they were singing together. Their hard work spills over and gives choruses on Nellie Kane, Strange Design, Squirming Coil and others a little extra sparkle that goes a long way in keeping the crowd smiling and engaged in the nooks and crannies in between the big improv sections that get most of the attention.
Ever Grateful,
PedalSteeler
Review by PedalSteeler
***Make Phish Evil Again***Fun show! The jamming wasn't totally cohesive, but the band was in great spirits and the heavy helping of composition pieces were lovely. The EVIL sections in Guyute were RIPPING, and Fluffhead and Reba were both rock solid by 3.0 standards, to my ears.
Honestly, I'm in awe that they can remember the words to 200+ songs, and frankly. STUNNED that they can execute these demanding passages that 98% of musicians in the world wouldn't even attempt in front of club-sized audiences, much less arenas.
Kuroda's work during Mr Completely was AMAZING, as well. Borderline TOO good, as it was actually distracting me from the music at times. Such a treat.
Lastly, I'm really thankful that they are enjoying and putting in time rehearsing the barbershop vocal pieces for this tour. Sure, we're here for the musicianship, but I always felt like what set '94-96 apart from other eras was how great they were singing together. Their hard work spills over and gives choruses on Nellie Kane, Strange Design, Squirming Coil and others a little extra sparkle that goes a long way in keeping the crowd smiling and engaged in the nooks and crannies in between the big improv sections that get most of the attention.
Ever Grateful,
PedalSteeler
, attached to 2019-12-07
Trey did it again.
I wasn't even in the house tonight and i teared up during that DrummerBoy Jam. How they seamlessly incorporate the joy fo christmas and the darkness of the unknown into that handful of music. Then the Dirt hit me and back into a little DrummerBoy. I lost it. Maybe i am getting too old for this....
Review by nesta
Trey did it again.I wasn't even in the house tonight and i teared up during that DrummerBoy Jam. How they seamlessly incorporate the joy fo christmas and the darkness of the unknown into that handful of music. Then the Dirt hit me and back into a little DrummerBoy. I lost it. Maybe i am getting too old for this....
, attached to 2019-12-07
It was definitely a fun show to be at, and on paper it's an eye-opener. While overall it's an enjoyable re-listen, there are a few bum moments that even the staunchest phan might not be able to ignore...the biggest whiff is the 4:26 mark of "Guyute", where Trey and Fish fall out of sync, and the two of them stumble for nearly 15 full seconds. Ouch.
That aside, I appreciated the chances taken in the 2nd set, and the lengthy Drummer Boy tease gave my daughter a big smile. That alone gave me my money's worth, and sometimes maybe the young 'uns know best after all, lol...
Out of the two Charleston shows I attended (had to skip night 3), IMO the first night has better replay value from start to finish...however, I've heard others say the opposite, so I guess it won't hurt you to check 'em both out!
Review by art_vandelay
It was definitely a fun show to be at, and on paper it's an eye-opener. While overall it's an enjoyable re-listen, there are a few bum moments that even the staunchest phan might not be able to ignore...the biggest whiff is the 4:26 mark of "Guyute", where Trey and Fish fall out of sync, and the two of them stumble for nearly 15 full seconds. Ouch. That aside, I appreciated the chances taken in the 2nd set, and the lengthy Drummer Boy tease gave my daughter a big smile. That alone gave me my money's worth, and sometimes maybe the young 'uns know best after all, lol...
Out of the two Charleston shows I attended (had to skip night 3), IMO the first night has better replay value from start to finish...however, I've heard others say the opposite, so I guess it won't hurt you to check 'em both out!
, attached to 2019-12-07
This was a bit of a flubtastic affair but a fun show. Little drummer boy was cool and the Reba jam owned as usual. Many times this tour Fish and Trey have just missed each other at some key moments in iconic tunes - tonight Guyute got the treatment. Maybe a little practice on these extremely difficult songs would benefit? Looking for the Sunday heat!!
Review by Wisy_Megabeth
This was a bit of a flubtastic affair but a fun show. Little drummer boy was cool and the Reba jam owned as usual. Many times this tour Fish and Trey have just missed each other at some key moments in iconic tunes - tonight Guyute got the treatment. Maybe a little practice on these extremely difficult songs would benefit? Looking for the Sunday heat!!
, attached to 2019-12-07
This Split Open and Melt should not be heralded or listed under Jam Charts..
Love this band and thoroughly enjoyed the majority of the show. I'm not normally a hater, but this SOAM "jam" was just not musical, cohesive, or enjoyable. It provided tension... but without release.
Excellent first set with nailed composed sections of Fluffhead, Reba & Guyute. Pretty amazing treat to get all of those in one set.
Review by fervil_lankman_
This Split Open and Melt should not be heralded or listed under Jam Charts..Love this band and thoroughly enjoyed the majority of the show. I'm not normally a hater, but this SOAM "jam" was just not musical, cohesive, or enjoyable. It provided tension... but without release.
Excellent first set with nailed composed sections of Fluffhead, Reba & Guyute. Pretty amazing treat to get all of those in one set.
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Review by farmhose