Name: Feb 21, 2001 Setlist - Phish.net
Start: 2001-02-21T20:00
Location: The Orpheum Theatre

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TREY ANASTASIO BAND, WEDNESDAY 02/21/2001

SET 1: Mozambique, The Way I Feel ^[1], It Makes No Difference ^[2], Burlap Sack and Pumps^[1], I Done Done It^[2], Push On 'Til the Day^[1] > Tube Top Flop^[1], Back on the Train ^[3], Happiness in My Pants ^[4], First Tube > Will It Go Round in Circles

SET 2: O-o-h Child, Sidewalks of San Francisco^[1], Drifting^[1], Noodle Rave Daddio^[1] > Sand, At the Barbecue^[1], At the Gazebo ^[5], Ray Dawn Balloon ^[6], Acting the Devil^[2], Ether Sunday^[1]

ENCORE: Windora Bug, Last Tube

This tour opening performance included the debuts of The Way I Feel, Burlap Sack and Pumps, Push On 'Til the Day, Tube Top Flop, Sidewalks of San Francisco, Drifting, Noodle Rave Daddio, At the Barbeque, At the Gazebo, Ray Dawn Balloon, and Ether Sunday as well as the TAB debuts of It Makes No Difference, I Done Done It, and Acting the Devil. Dave teased Pass the Peas in Burlap Sack and Pumps. Trey performed Back on the Train and Ray Dawn Balloon solo acoustic. After Back on the Train, Trey quoted and teased Cosmik Debris after a fan called out the song. Trey and Tony played acoustic on Happiness in My Pants (with Russ) and At the Gazebo (with horns). Dave teased Eleanor Rigby in Sidewalks of San Francisco. Ray Dawn Balloon was introduced as Waves. This show marked the first TAB performance with horns.

Pass the Peas tease in Burlap Sack and Pumps, Eleanor Rigby tease in Sidewalks of San Francisco, Cosmik Debris tease & quote

Farmhouse 3

Trey Anastasio, Dave Grippo, Jennifer Hartswick, Russ Lawton, Tony Markellis, Andy Moroz

This show was part of the "TAB - The Sextet"

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Show Reviews

2017-06-21 8:48 pm, attached to 2001-02-21

Review by NightSpeaks

First TAB show with the sextet is a good one, although it is clear that the band isn't 100% confident yet. The debuts sound good (as do the old songs with newly added horn parts), but compared to the band's strength in '02 and '03, the band has a long way to go. Push On 'Til the Day in particular is missing the energy that pretty much all later versions provide. The big jam here is Sand. Sand sounds great with the horns and I prefer this version over any of the versions from '99. To summarize: Good show, bodes well for the future of TAB. Band isn't all the way locked in yet.