I gotta go best segue to Sand> Nellie Kane from Worcester. With a little over two minutes in Sand I remember Trey playing a kind of funked out, simplified version of the Nellie Kane riff. If you listen back you can hear some people in the crowd react, knowing what was coming. And when it did - perfect execution.

Worth mentioning I feel is the Atlantic City Tube. SPAC Tube w/ Psycho Killer was a massive highlight IMO, as well as a serious bustout. And the way it was laced with the Tube style explosive funk and then when Trey starts laying down some very tactical plinko after they exit Psycho Killer - exquisite. Not what I was gonna talk about though - AC Tube. Reminiscent in my opinion of '97 cow funk but clearly laced with the beefed up sound of 3.0 - fire.

Lastly the Worcester Boogie On man, been said multiple times in here but it truly can't be said enough. What a curveball. In a sequence of Carini/Taste/Ghost/Boogie, I truly doubt anyone expected Boogie to be the heavy-hitter. After almost 3 minutes of straight-ahead funk it would have made sense to bail on it but then Trey started playing that little riff over and over and continued to build on it, layers of goodness, staying in this groovy sort of anti-climax limbo. The repetitive nature of the section of the jam made it all the more profound when Trey finally laid into it - and just kept on going through multiple peaks only to drop it back down into the funk, bringin' us full circle - Aaah, what a jam.