Reba
, comment by TheEmu
@experiencechuck said:
It's a great, great jam that doesn't get there at the end, which is what holds it back, IMO, from being one of the greats. Just being honest. Takes nothing away from the rest of it.
@experiencechuck said:
It's a great, great jam that doesn't get there at the end, which is what holds it back, IMO, from being one of the greats. Just being honest. Takes nothing away from the rest of it.
, comment by experiencechuck
Summing this fantastic jam up in two sentences should not include a pejorative statement on the ending. It's a great jam and an engaging listen.
Summing this fantastic jam up in two sentences should not include a pejorative statement on the ending. It's a great jam and an engaging listen.
, comment by n00b100
As I am a sucker for jams with truly memorable *segments*, I can pretty safely say that this is my favorite Reba (the best one musically, to me, is 7/6/94), and it's because of the Manteca-esque jam at the end, a dark and intense groove that could easily have arisen from a Stash or one of the more down and dirty jam vehicles Phish possesses. It's probably not the *best* Reba based on whatever standards you might hold, but it's easily the most memorable from 3.0, and (IMO) one of the most memorable ever, which is no mean feat.
As I am a sucker for jams with truly memorable *segments*, I can pretty safely say that this is my favorite Reba (the best one musically, to me, is 7/6/94), and it's because of the Manteca-esque jam at the end, a dark and intense groove that could easily have arisen from a Stash or one of the more down and dirty jam vehicles Phish possesses. It's probably not the *best* Reba based on whatever standards you might hold, but it's easily the most memorable from 3.0, and (IMO) one of the most memorable ever, which is no mean feat.
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