This Wolfman's is the jam of the run, far as I'm concerned. The Tweezer, Bowie, Disease, Carini, and Ghost are all strong as well, but I don't think any of them reach the level of creativity of this Wolfman's. (To be fair, Carini two nights later is right up there, but it hasn't stuck in my rotation as long for some reason.) From the Mike solo, to the Drummer Boy jam, to the 6/8 finale, this jam is in a league of its own when it comes to jams out of this song. There isn't another one like it.

The jam has three sections: the pre Drummer Boy, Drummer Boy, and post Drummer boy jams, and the best part is the whole thing still feels like a single succinct idea. I suppose you could even argue there are four or five sections since the pre DB jam, following my analysis, is by far the longest of the three. The pre DB jam features some great Trey/Page interplay, the aforementioned Mike solo, a great tension filled build complete with an appearance by Machine Gun Trey, and a great release and come-down into the DB jam.

The DB jam is absolutely wonderful, Trey's tone is just so damn beautiful. Hearing the audience sing along is great too. And to top it off, the funk drops so good afterword. All Trey has to do is give one little wah-laden chunk and the crowd erupts. Then comes the great transition into the 6/8 and the great build to the end. The band tears the ending of this Wolfman's up! Very energetic.

A jam for the ages, if you ask me. Hear at all costs!